Manley Labs SLAM Stereo Limiter and Microphone Preamp Sennheiser

Manley Labs SLAM Stereo Limiter and Microphone Preamp SennheiserWeve got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock n rollers wont cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing. The DI inputs have selectable input impedance, depending on how far you plug

<3 degrees

the AC-3 simulates the sound of an acoustic guitar with incredible precision

Both Input and Output are balanced as well as fully floating

For use on nearly all machines and consoles equipped with an industry standard analog pin-out

Carefully trained staff hand-wire and test each unit until it meets our uncompromising standards

The 8816 uses the same transformer mixing topology as the classic 80 Series console

the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission

wide-range frequency that makes the SM7B a versatile microphone appropriate for use in a multitude of professional audio applications

The original was a historically significant amp used on countless hits over the years

low distortion signal similar to a high-end studio condenser microphone

Barry Rudolph   PRODUCER/ENGINEER

D4 for floor tom 4…