Fine Print: Jimmy Armstrong at Clyde Beatty Circus, New Jersey, USA, 1958 Architecture

Fine Print: Jimmy Armstrong at Clyde Beatty Circus, New Jersey, USA, 1958 ArchitectureBruce Davidson was 24 when he visited the Clyde Beatty Circus at Palisades Amusement Park in New Jersey in 1958. The photographs he took there would go on to form the first part of one of his most celebrated bodies of work: Circus, a black and white visual chronicle of mid century big tops in America as the cultural phenomenon was beginning to die out. None of the circus performers that Davidson encountered had a more profound effect on him than Jimmy

in their hands

you’re not close enough

the book grapples with my own role and power as a narrator – particularly one with access to foreign publications – and the biases and limitations inevitably embedded in my work

Clément Chéroux and Clara Bouveresse demonstrate how the cooperative owes its preeminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence

" This contact sheet features images from Burri's time with Che Guevara in Cuba

” Cuba was to become a focal point for his color work

” who had been paralyzed for 20 years

spent his childhood in Milan and emigrated to the U

Chernobyl Legacy is a haunting document of the lives that were ruined

and mixed reviews

as Glinn was boarding a press truck along with a crowd of photographers all hoping for a photo opportunity

movie stars